There two versions of a double-page illustration on this page, featuring different edited-together versions of the images. In the actual artbook these images appear on two separate pages.
For a long time I had been intent on drawing Usagi and Chibi-Usagi against a red background with some flowers for the cover of the second volume. I prefer the characters' faces without smiles. I like their expressions and poses, as well as the colors of the whole picture.
I initially planned to use this picture as a back cover. Instead, I used it as the first page of this collection thinking that it would best suit Sailor Moon Picture Collection, volume II. I really like it. I drew this picture and the one for the cover of this collection at the same time. In this picture I used my favorite art nouveau motif. In fact, I am dedicating my life to collecting art nouveau antiques.
At the time when I was thinking about the rough sketch of this picture, Chibi-Usagi had not yet been born in my head. When I actually drew the rough sketch, there was an empty space next to Mako. I had left it like that for a long time and been feeling that the picture looked unbalanced. However, by adding Chibi-Usagi, the picture was finally complete. Now, Chibi-Usagi has come into an existence that we'd miss her when she's not around.
I love buying clothes. I read magazine articles on clothing collections and browse catalogs from clothing stores every season. I would decide what to buy while telling myself, for example, "Ok, I will wear white this year." The clothes on the two characters are from a designer that I wanted to purchase from a little while ago. However, I haven't had many chances to go out recently and didn't buy any, so I put the clothes on them.
This picture became a supplemental poster to the April issue of Nakayoshi. I felt uneasy and wondered if everybody would really put it up. However, when I visited my cousin's child, Mizuki, I found that this poster was hanging on the wall in her room. And she told me, "I like this poster the best." Very happy to hear that.
This picture is very memorable because I finished it in a hurry and then took a secret trip to Paris. It reminds me of a fantastic restaurant under the Eiffel Tower, a glittering merry-go-round, and a lovely small hotel on Vandome Square
Actually, I made a mistake on Mako's right arm and put a patch on the spot. I was very happy when my friend, a comic book writer, said that "Sailor Moon's face is sexy." Yes, I wanted to draw a sexy picture. I really want Tuxedo Mask to ride the Porsche 962 LM, which is placed in the middle. I was happy to be able to draw the car.
I painted this picture as a gift for someone who is very important to me. However, Osabu, who is in charge, and I, being poor-natured, thought, "Let's publish the picture somewhere first since I've already painted it." And then we used it as a pinup, then a calendar, and I have not yet given it to the person whom it was intended for. Since I was able to include the picture in the collection, I thought, finally this time, I have the chance to give it you, dear Murakami.
This picture was on the cover of Sailor Moon Volume 4, whose first edition sold 1,200,000 copies. During the time I was working on the picture, it was confirmed that Sailor Moon would be adapted into a musical and I met the cast who would play the Sailor Soldiers recurrently. Perhaps because of this, the faces of the Sailor Soldiers in the picture resemble the cast members, Sakurakko. I might have drawn so unconsciously. How's everybody?
Not being able to come up with a composition for the color title page, I really had problems with the expressions and the placement of Sailor Moon. As a result I didn't like it very much. It was a little difficult to draw the Earth, which is in the background of Neo Queen Serenity. Anyway, I intended to create a cool picture.